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Chapter 13 As winter thaws into spring, the monster notices that the cottagers, particularly Felix, seem unhappy. A beautiful woman in a dark dress and veil arrives at the cottage on horseback and asks to see Felix. Felix becomes ecstatic the Frankenstein intelligence essay he sees her.
The woman, who does not speak the language of the cottagers, is named Safie. She moves into the cottage, and the mood of the household immediately brightens. As Safie learns the language of the cottagers, so does the monster.
Reflecting on his own situation, he realizes that he is deformed and alone. The old man, De Lacey, was once an affluent and successful citizen in Paris; his children, Agatha and Felix, were well-respected members of the community.
Felix visited the Turk in prison and met his daughter, with whom he immediately fell in love. Safie sent Felix letters thanking him for his intention to help her father and recounting the circumstances of her plight the monster tells Victor that he copied some of these letters and offers them as proof that his tale is true.
She inculcated in Safie an independence and intelligence that Islam prevented Turkish women from cultivating. Safie was eager to marry a European man and thereby escape the near-slavery that awaited her in Turkey.
They then moved into the cottage in Germany upon which the monster has stumbled. Chapters 13—14 The subplot of Safie and the cottagers adds yet another set of voices to the novel. Their story is transmitted from the cottagers to the monster, from the monster to Victor, from Victor to Walton, and from Walton to his sister, at which point the reader finally gains access to it.
This layering of stories within stories enables the reworking of familiar ideas in new contexts.
The monster, whose solitude stems from being the only creature of his kind in existence and from being shunned by humanity, senses this quality of being different most powerfully. His deformity, his ability to survive extreme conditions, and the grotesque circumstances of his creation all serve to mark him as the ultimate outsider.
Victor, too, is an outsider, as his awful secret separates him from friends, family, and the rest of society. In the subplot of the cottagers, this idea recurs in the figures of both Safie and her father.
His otherness as a Muslim Turk in Paris results in a threat to his life from the prejudiced and figures in power. Language and communication take center stage in these chapters, as the monster emerges from his infantile state and begins to understand and produce written and spoken language.
His alienation from society, however, provides him no opportunity to communicate with others; rather, he is a one-way conduit, a voyeur, absorbing information from the cottagers without giving anything in return. In these chapters, he acquires the ability to understand the crucial texts that he soon discovers, including Paradise Lost.
This text introduces him to Adam and Satan, to both of whom he eventually compares himself. In addition to shaping his identity, the written word provides the monster with a means of legitimizing his past.The daughter of a Turkish merchant unknowingly becomes involved in what is a commensalism-type relationship with Frankenstein’s monstrous creature.
The monster takes advantage of Safie’s stereotypically passive nature by using her as a method of learning the De Lacey family’s language. Essay The monster in Shelly's Frankenstein performs evil acts because Dr.
Frankenstein neglected to be the fatherly figure needed to help the monster develop normally. The monster was innocent just like a . Self-Education in Mary Shelley's Frankenstein Essay; Once again, the readers of the fiction witness the ineradicable intelligence of the monster.
It is a Show More. Related. Mary Shelley's Frankenstein Essay More about Self-Education in Mary Shelley's Frankenstein Essay. Mary Shelley's Frankenstein Essay Words | 4 Pages. Discover Great Essay Examples.
Let StudyMode help you uncover new ideas with free essay previews and research papers. Mary Wollstonecraft Shelley. August 30, February 1, Nationality: British; English Birth Date: August 30, Death Date: February 1, Genre(s): NOVELS.
Picture book author Rick Walton, writer of more than 90 works for children, explains why picture books are enjoyable for adults as well as children.